| Books
|
| The Collected Essays of Milton Babbit (ed., with Stephen Peles, Andrew Mead, and Joseph N. Straus), Princeton University Press, Princeton NJ; 2003.
|
| Milton Babbitt -- Words About Music (ed., with Joseph N. Straus), University of Wisconsin Press, Madison; 1987
|
| Lexique Musical International (with four other authors), Editions Musicales Transatlantiques, Paris; 1979
|
| International Musical Lexicon (revised U.S. edition of above), Harper and Row, New York; 1984
|
|
Published articles
|
| "The Structure of Construction," In Theory Only 13/5-8 (forthcoming, 2004)
|
| "Misreading Martino," Perspectives of New Music 29, no. 2 (winter 1992): 312-317
|
| "The Context of Composition: The reception of Robert Morris's theory of compositional design," Theory and Practice 14/15 (1989/1990): 187-201
|
|
Professional papers and lectures
|
"Circles: the development of a compositional theory;" 18 February 2004, School of Music, Northwestern University
|
| "The Sounds of Babbitt's Voices, and the Reformation of Compositional Theory," 5 December 2003, Princeton University; Princeton, New Jersey, as part of the conference Re-reading Babbitt: The Composer as Author; also 5 February 2004, sponsored by the League of Composers/ISCM; Elebash Hall, the Graduate Center, CUNY, as part of a program celebrating the publication of The Collected Essays of Milton Babbitt
|
"From improvisation to notation, and back" 8 October 2003, School of Music," Northwestern University
|
"Le nuove frontiere," 17 March 2003, "Istituto Musicale Pareggiato "P. Mascagni," Livorno, Italy, as part of Seminario/Concerto "La Percussine fra passato e futuro"
|
| "From Geographies of Theory to the Cartography of the Imagination," 1999-2000: Washington University, St. Louis; University of Alabama, Tuscaloosa; Conservatorio Luigi Cherubini, Florence, Italy
|
| "The Geography of Musical Systems," Temple University, April 1996
|
| "Memory's Missing Link," Conservatorio di Musica Giovanni Battista Martini, Bologna, Italy, May 1995; Brandeis University, December 1994
|
| "A Sonata after Tonality," Stanford University, June 1992; University of California - Santa Barbara, May 1992
|
| "The Structure of Construction," delivered to the annual national meeting, in Cincinnati, Ohio, of the Society for Music Theory, November 1991
|
| "Representations: Cognitive theory and computational practice," delivered to the second International Conference on Computers in Music Research, the Queen's University of Belfast, Northern Ireland, April 1991
|
| "Steps and skips from content and order: aspects of a generalized step-class system," delivered to the annual national meeting of the Society for Music Theory, in Baltimore, November 1988
|
| "LISP software for the generation and analysis of pitch-class sets," delivered to the first International Conference on Computers in Music Research, Lancaster, England, April 1988 |