|
Orchestra
|
|
duration
|
hear
mp3 sample
|
view
score / read reviews
|
Refraction/Refracja |
(1986)
|
5' |
|
|
Spectra
|
(1985)
|
14' |
|
|
Of
Mere Being (version for soprano and large
orchestra); text from Wallace Stevens
|
(1982;
revised 1984,1991) |
6' |
|
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Instrumental
Chamber Ensemble
|
|
|
Respite
from the Roast (for five improvising musicians: oboe/English horn, clarinet/saxophone,
trumpet, vibraphone, and electric guitar) |
(2002) |
c.
60' |
|
|
Sonotropism
(for four improvising musicians: saxophone, piano, electric guitar, and
'cello) |
(1996) |
c.
60' |
|
|
Out
of My System (violin, clarinet, 'cello, and percussion - two bongos,
three conga drums, and vibraphone) |
(1995) |
12' |
|
|
Needles
and Pins ('cello, harpsichord, and optional mime) |
(1994) |
8' |
|
|
Sonata
for Violin and Piano |
(1987) |
42'
|
|
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String
Quartet |
(1984) |
14'
|
|
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Alba
(flute, clarinet, violin, 'cello, and percussion - two bongos, three conga
drums, and vibraphone) |
(1980)
|
21'
|
|
|
Stacked
Deck (flute, oboe, clarinet, bassoon, trumpet, trombone, timpani, keyboard
percussion, unpitched percussion, piano, violin, 'cello) |
(1979) |
8' |
|
|
Quartet
(flute, oboe, 'cello, harpsichord) |
(1978) |
6' |
|
|
Trio
(violin, 'cello, piano) |
(1977) |
14' |
|
|
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Instrumental
Chamber Ensemble with Voice
|
|
The
Show (clarinet, violin, piano, percussion and
soprano); text and illustrations from Donald Barthelme (adapted) |
(1986) |
15' |
|
|
At
Baia (version for soprano, violin and piano);
text from H. D. (adapted) |
(1983) |
10' |
|
|
At
Baia (version for clarinet, horn, harp, soprano and string trio); text
from H. D. (adapted) |
(1983) |
10' |
|
|
At
Baia (version for soprano and piano); text
from H. D. (adapted) |
(1983) |
6' |
|
|
Simples
(soprano and piano); texts from James Joyce |
(1980) |
8' |
|
|
Adult
Epigram (soprano and guitar); text from Wallace
Stevens |
(1977) |
8' |
|
|
Of
Mere Being (soprano and piano); text from
Wallace Stevens |
(1975) |
7' |
|
|
They
Flee From Me (mezzo-soprano and alto flute); text from Sir Thomas
Wyatt |
(1973) |
5' |
|
|
|
Chorus
|
|
|
So
Fine (SATB) Italian text from Dante Alighieri, "Tanto gentile
..."; setting in American English (original translation) and Italian.
|
(1993) |
5' |
|
|
Caritas
(SATB); Latin text from St. Paul's letter to the Corinthians |
(1980) |
4' |
|
|
|
Opera
|
|
|
Three
scenes from Elsaveta (two male and two female voices, with piano) |
(1992) |
25' |
|
|
|
Solo
Piano
|
|
|
For
Five |
(1995) |
6' |
|
|
On
Ondine |
(1991; 2000) |
12' |
|
|
Migration
|
(1990) |
3'
|
|
|
Another
Time |
(1989) |
2'
|
|
|
Guerigny
|
(1983) |
2' |
|
|
Alta
|
(1981) |
8'
|
|
|
Air
for Ariel |
(1979) |
1'
|
|
|
Hard
Times |
(1978) |
8'
|
|
|
Tender
Buttons |
(1978) |
3'
|
|
|
Pterodactyl
|
(1974) |
6' |
|
|
|
Solo
Violin
|
|
|
Memory's
Minefield |
(1994) |
12'
|
|
|
(See
also Sonata for Violin and Piano, under instrumental chamber music) |
|
|
|
Solo
'Cello
|
|
|
Allemande
|
(1978) |
2'
|
|
|
Prelude
|
(1978) |
2' |
|
|
Courante
|
(1986) |
2'
|
|
|
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Solo
Flute
|
|
|
Fantasy |
(1988)
|
6' |
|
|
Matrimony
Music |
(1977) |
2'
|
|
|
|
Solo
Clarinet
|
|
|
Amora
|
(1984) |
10'
|
|
|
Digit
(with computer-synthesized sound) |
(1978) |
3' |
|
|
|
Solo
Horn
|
|
|
Hornbill
|
(1994) |
11' |
|
|
|
Solo
Guitar
|
|
|
Sunwood
|
(1976) |
6'
|
|
|
(see
also vocal chamber music, Adult Epigram) |
|
|
|
Solo
Percussion
|
|
|
Only
Yesterday (for marimba, vibraphone, castanet, woodblock, 3 temple blocks,
2 bongos, 5 tom toms, and two cymbals-- small and large) |
(2002) |
3' |
|
|
Another
Day (for improvising percussionist, with optional sculture sonore
(sounding sculptures) and their players) |
(2001) |
20' |
|
|
|
Solo
Organ
|
|
|
Contemplations
(for organ, with optional improvisation) |
(2002) |
c.
10' |
|
|
|
Mechanical
Music Box
|
|
|
Altamira |
(1983) |
1' |
|
|
|
Electroacoustic
|
|
|
Sound
Beach (4-track version) |
(1977) |
7' |
|
|
Sound
Beach (2-track version) |
(1975) |
7' |
|
|
(See
also Digit, under clarinet) |
|
|
|
For
Film
|
|
|
Baby-face
Music; Decade Music (for film sponsored by the U.S. Commission on the
International Women's Year, shown nationally) |
(1977) |
c.10'
|
|
|
|
In
Progress
|
|
|
One
Day -- for solo percussionist |
|
c.20'
|
|
|
Pied
Beauty -- a setting of the poem by Gerard Manley Hopkins, for soprano
and double bass |
|
|
Crow
Soup -- a one-act opera; libretto by Leonora Carrington and Gabriel
Weisz-Carrington (see under "projects") |
|
|
Donna
mi Prega -- a bilingual oratorio setting (chorus, orchestra, vocal soloists)
of Guido Cavalcanti's notorious 13th century canzone d'amore; in American
English (original translation) and Italian; six movements |
|
|
Elsaveta
-- a full-length opera for film and/or video -- eight vocal roles; original
libretto with Laurence Davies |
|
|
Hot
Particles -- an interactive composition for chamber installation of
light and sound sources, including stroboscopic lights, projection hardware,
and a sound-synthesis facility; digitally stored and interactively controlled
via computer-interpreted live video (see VIDI, under "software") |
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